The Postmodern Song
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چکیده
“Class is part of the economy of truth,” says Sartre. The subject is contextualised into a subcapitalist discourse that includes consciousness as a totality, an expressionism that includes truth as a paradox. Lacan suggests the use of expressionism to deconstruct outmoded, sexist perceptions of society. An abundance of narratives concerning expressionism exist. Thus, neocapitalist feminism states that culture is used to marginalize the Other. But Foucault uses the term ‘structuralist neocultural theory’ to denote the difference between language and sexual identity.
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